IN SPACE

REAL PHOTOGRAPHS. REAL WORKS. REAL SPACES.

No renderings. No generated interiors. No digitally borrowed walls.

Even after all these years, the first moment a finished work meets the right room gets me every time. I stand there, look — and for a moment, I’m simply happy.

We looked for places with enough character for the works: collectors’ rooms and locations worth returning to with a van. Then the works were hauled in, moved, hung, straightened and photographed. Reality has no drag-and-drop function. It also takes a few days. Good. Because scale, weight, glass, reflections and changing light are part of the work. A screen shows the photograph. The room gets the work.