THE POOLHOUSE
THE POOLHOUSE
A Sixties Fashion Story. Almost.
THIS COULD HAVE COME STRAIGHT OUT OF A SIXTIES FASHION STORY.
IF THE PORSCHE HADN’T ARRIVED A FEW DECADES LATE.
Haus Kemper, Wuppertal. Richard Neutra. Glass, horizontals, a pool.
Architecture so effortlessly elegant that, for a moment, even Wuppertal starts looking suspiciously like Palm Springs.
And then there is the 935.
Brand-new. Wide. Radical. White.
Calling it “fast” would describe it about as completely as calling a dinner jacket “black”.
Today, one of these sits somewhere around the 1.5-million-euro mark.
Doesn’t help the line.
That was already good.
THE POOLHOUSE lives in this strange shift of time: Neutra’s modernism on one side, a Porsche from another era on the other — and in the photograph, both behave as if they had arranged to meet.
No showroom.
No racetrack.
More like a rather exclusive casting.
Haus Kemper provides the set.
The 935 gets the part.
And remarkably, nobody has to move.
EDITION & AUTHENTICITY
Each size is limited to an edition of 5 artworks, plus 2 Artist’s Proofs (5 + 2 AP per size). Different frame materials do not create an additional edition.
Every ATELI’R artwork is accompanied by a Certificate of Authenticity issued by KAYSER FINE ARTS, identifying the work by title, edition number, edition size and its individual specifications.
Composed for this format in Chalk Ash.
EDITION 5 + 2 AP AVAILABLE
Signed and individually numbered. Each available format forms a separate edition. Once the stated edition is complete, that format is closed. Artist Proofs are recorded separately and are not part of the numbered edition.
Every ATELI’R frame is individually crafted. Its grain, surface and natural character cannot be repeated.
Nature didn't see the need for more.